More little pots

The farm is particularly lush and green at the moment, all these little pots suit the landscape right now.

Little Pots

A new series of little pots 😍

A New direction

I still have my first ever ceramic project I made as a kid- It still sits outside my front door of every house I’ve lived in, to remind me of my dream home…

And new projects are coming very soon!

Dream Home, 1982

Big M State Of Mind

Only days to go before the trek down to the Big M State of Mind

‘Every Flower Touched His Cold Hand’  Triptych, Resin and Watercolour on Arches and Marine Plywood 36 x 40, 2020

‘Every Flower Touched His Cold Hand’ Triptych, Resin and Watercolour on Arches and Marine Plywood 36 x 40, 2020

‘Every Flower Touched His Cold Hand’ Triptych, Resin and Watercolour on Arches and Marine Plywood 36 x 40, 2020

‘Every Flower Touched His Cold Hand’ Triptych, Resin and Watercolour on Arches and Marine Plywood 36 x 40, 2020

‘Every Flower Touched His Cold Hand’ Triptych, Resin and Watercolour on Arches and Marine Plywood 36 x 40, 2020

‘Every Flower Touched His Cold Hand’ Triptych, Resin and Watercolour on Arches and Marine Plywood 36 x 40, 2020

The Way We Looked At Each Other

OPENING NIGHT: 3 July 6-9pm (Please RSVP your attendance to info@offthekerb.com.au so the gallery can ensure appropriate numbers during this time)

 Exhibition Preview Thurs 2 July 12.30-6pm

Show runs till  16 July for those who wish to avoid opening night

Upcoming Show July- The Way We Looked At Each Other

Upcoming show in July at Off The Kerb Gallery

The Way We Looked At Each Other examines the poetics of Australian sporting, political and cultural iconography and landscape, considered through the nostalgic impetus to return to what is ‘homely’ and how memory can change over time, creating shifting narrative and truth.

Utilising pencil, graphite and watercolour, all which require fine attention and patience, works are finished in glass resin, giving inert artworks new form and understated movement in light and reflection as the viewer moves.

The smaller works offer a departure from previously large scale works that had contemplated a narrative somewhere ‘out there’; elsewhere, instead (as isolation has done for most of us) articulating space and sense of place in the intimate.

‘What I’m Looking At Isn’t There’ Resin and Pencil on Arches and Marine Ply, 15 x 20, 2020

What I’m Looking At Isn’t There’ Resin and Pencil on Arches and Marine Ply, 15 x 20, 2020

New Works Via Instagram

Follow my progress for my upcoming show via Instagram. Get on it.